Nature of Japanese garden art are vitally representations of environment in a way that reveres the natural qualities of land, mountains, lakes,oceans, streams, plants, trees and flowers. In addition, recognize are the changing characteristics of the seasons. Nature of Japanese garden art is not for nothing a garden patio back or prepared in the usual Western world where a barbecue can be done, fireplace and bath outdoor pool. It is for this reason that Western landscapes, we can incorporate gardens such as Japanese or Asian within the global design, because we do not see our gardens identically to the usual Japanese garden is conceived.
Hardscape or items made by man only deviate from natural characteristics that are revered. The nature of Japanese garden art features give you a greater sense of tranquility, that foster harmony and purity of heart and the brain. Water is an absolutely vital component in a Japanese garden. It may be the real thing or it can be symbolic as in the use of sand. Represented by rocks, hills are also a key to the balance of powers between the Yin (water) and Yang (mountains).
Wabi Sabi concepts are difficult to capture in periods of aesthetic understanding not by its external form, but the essence after the form. Such notions are taken from the Buddhist values and cover the impermanence, the incompleteness and imperfection.
Wabi aesthetic expressed through the installation, the asymmetry and austerity. It is the admiration of the attractions of nature of Japanese garden art. It is the winding road that seems to lead nowhere in particular. It is the absence of components of ostentatious display and showy flowers.
Sabi is the state of mind after seeing something rustic, imperfect, and perhaps shows signs of aging vintage. It is the recognition that something is wrong in comparison to human standards. It is the twisted trunk of a tree or in a rock crevice. This concept is sometimes referred to as ‘imperfect beauty’. To have an aesthetic value to the natural way of things. It is the authenticity that we are drawn as if that is what we went without defects or not.
So with all these supposed features that are unseen, how to design nature of Japanese garden art? This seems difficult, since many of the aspects are intangible and may only feel for someone who is experiencing the garden. This is the challenge of the designer of gardens. How designer imbue the place with these intangible characteristics? How can a designer to build on the concept of Wabi Sabi without which manifests itself?
Well, it is difficult to interpret, but it’s all behind the scenes and passing the concepts behind the decisions made in the planning of the garden and in the staffing of the rocks, sand, gravel, plants and other elements. On a more esoteric level, experiential feelings of a user of the garden behind the designer’s intention.
The intention is manifested in personal appearance and resulting feelings caused by design. So even a nature of Japanese garden art in the desert can possess characteristics of Wabi Sabi.